肖斯塔科维奇《降E大调第一大提琴协奏曲》
肖斯塔科维奇《降E大调第一大提琴协奏曲》是题献给罗斯特罗波维奇并由其首演的，肖斯塔克维奇比罗斯特罗波维奇年长21岁，两人即是师生关系（罗氏曾随肖氏学配器），又是志同道合的忘年之交。这部作品完成于1959年，最初是作为三个乐章的构想，但最终发展成了四个乐章的格局。原本附于第二乐章末尾的华彩乐段过于夸张，长度甚至超过了终曲，因此作曲家将其独立为一章。第一乐章的主题由独奏大提琴直接呈示，副部主题则带有斯拉夫风格的怪异色调。第二乐章的主题再现部分，大提琴独奏的泛音与钢片琴的对答，犹如来自天国的纯净而悲切的音调。第三乐章是第二乐章的自由延伸，音乐富于即兴性，是无拘无束的内心独白。第四乐章的主题素材来自格鲁吉亚民歌《素里柯》，但被变异为怪诞、锐利的性格，具有嘲讽意味。


德 彪 西《第一单簧管狂想曲》
《第一单簧管狂想曲》是法国作曲家克劳德·德彪西于1910年创作的一部单簧管独奏作品。这部作品在单簧管艺术史上占有重要地位，被誉为继莫扎特《A大调单簧管协奏曲》之后的又一座里程碑，将单簧管演奏艺术引入了一个全新的发展阶段。在这部作品中，德彪西展现了其对传统音乐的许多大胆革新，例如不和谐的音乐组成部分的运用，以及独特的和声和节奏处理，使音乐呈现出印象派画作中所体现的那种不断闪烁的强烈的色彩“视觉”效果。


武 满 彻‌
单簧管协奏曲《Fantasma》
武满彻‌（1930-1996），日本当代音乐巨匠，自学成才的先锋作曲家。其创作打破东西方音乐界限，以“音色美学”闻名，融合日本传统雅乐的空寂意境与西方现代技法。代表作《十一月的阶梯》将尺八、琵琶与管弦乐实验性对话，奠定其国际声誉。他擅用留白、微分音及自然意象，音乐如“深海之声”般神秘深邃，深刻影响20世纪音乐多元发展，被誉为东方现代主义的诗意代言人。单簧管协奏曲《Fantasma》是其晚期代表作之一，展现了作曲家对东西方音乐美学的深度探索与融合。该作品创作于1991年，受单簧管演奏家理查德·斯托诺兹曼（Richard Stoltzman）委约创作。该曲对独奏者的技巧与表现力要求极高，斯托诺兹曼曾评价其“需要同时驾驭精确的现代记谱与即兴的诗意表达。

指挥 俞极
Conductor Yu Ji

俞极，青年指挥家，中国爱乐乐团驻团指挥、宁波交响乐团常任指挥，2022年入选中宣部“艺苑撷英”全国优秀青年指挥人才。

2012年俞极以第一名的成绩考入中央音乐学院指挥系，师从著名指挥家俞峰教授，2017年保送中央音乐学院指挥系研究生。在校期间入选中国国家艺术基金“青年指挥培养计划”，曾获得过余隆、张国勇、Jaap van Zweden、Johannes Schlaefli、Thomas Sanderling 等多位指挥大师的亲自指导。2017年经世界范围选拔入选瑞士梅纽因音乐节国际指挥大师班。2018年俞极进入纽约大学，跟随普利策奖得主Julia Wolfe教授与著名作曲家Justin Dello Joio学习作曲。横跨指挥与作曲两个专业的学习经历也赋予他更全面的音乐理解力，尤其在处理复杂作品时得以兼顾结构分析与情感表达。

俞极与中国爱乐乐团、中央歌剧院、中央音乐学院交响乐团、上海交响乐团、杭州爱乐乐团、宁波交响乐团、深圳交响乐团、广州交响乐团、上海歌剧院、南昌交响乐团、成都交响乐团、天津交响乐团、福建歌剧院、昆明聂耳交响乐团、苏州交响乐团、兰州交响乐团、中国青年交响乐团、四川音乐学院交响乐团、意大利米兰音乐午后管弦乐团、瑞士梅纽因音乐节管弦乐团等优秀乐团有着广泛的合作。演出作品包括交响乐作品、西方经典歌剧及中国原创歌剧，作为青年指挥家，俞极对音乐有着严谨细腻的处理，难能可贵的是，他对歌剧作品更是有着成熟的音乐理解，曾指挥过《茶花女》《图兰朵》等歌剧的全本演出。

俞极不仅是传统曲目的诠释者，更是新音乐的倡导者。他参与组建了Ensemble Novel现代室内乐团并担任指挥与艺术总监。Ensemble Novel乐团致力于推广中国青年作曲家的作品，并策划多场专题音乐会。这种对本土创作的关注，体现了他对音乐文化传承与创新的双重责任感。

The promising young conductor Yu Ji is currently principal conductor of Ningbo Symphony Orchestra and assistant conductor of China Philharmonic Orchestra, selected by the Publicity Department of the CPC as one of the National Excellent Young Conductors in the “Artistic Circle”.

In 2012, Yu Ji was admitted into the department of conducting at the Central Conservatory of Music and learned after Professor Yu Feng, a renowned conductor. In 2017, Yu Ji was recommended as a master candidate to the department of conducting, the Central Conservatory of Music. While studying in the school, Yu Ji was selected among the “Young Conductors Training Program” funded by the China National Art Foundation and has received personal instruction from several master conductors such as Yu Long, Zhang Guoyong, Jaap van Zweden, Johannes Schlaefli and Thomas Sanderling. In 2017, Yu was admitted into the International Master Conductor Class of the Menuhin Music Festival in Switzerland in a worldwide audition. In 2018, Yu Ji was enrolled into the New York University to study composition with Julia Wolfe, a winner of Pulitzer Prize and Justin Dello Joio, a renowned composer.

Yu has had wide cooperation with excellent orchestras such as China Philharmonic Orchestra, China National Opera House, Symphony Orchestra of the Central Conservatory of Music, Shanghai Symphony Orchestra, Hangzhou Philharmonic Orchestra, Ningbo Symphony Orchestra, Guangzhou Symphony Orchestra, Shanghai Opera House, Chengdu Symphony Orchestra, Fujian Opera House, Kunming Nie Er Symphony Orchestra, Lanzhou Symphony Orchestra, China Youth Symphony Orchestra, Sichuan Conservatory of Music Symphony Orchestra, Orchestra I Pomeriggi Musicali and Menuhin Music Festival Orchestra. Yu Ji has performed symphony works, Western classical operas and Chinese original operas. As a young conductor, Yu has a rigorous and delicate treatment of the music. More importantly, he has a mature understanding in the music of the operatic works and has ever conducted large-scale operas such as La Traviata and Turandot.

Yu is devoted to the exploration and promotion of the contemporary new music of China and has participated in the establishment of Ensemble Novel modern chamber orchestra and served as the conductor and art director. Ensemble Novel is committed to seeking and promoting contemporary young composers in China and has successfully held several concerts of thematic works created by young composers.

纳瑞克·哈克纳扎良
Cellist:Narek Hakhnazaryan

自从在 2011 年，纳瑞克·哈克纳扎良22岁时，于第十四届国际柴可夫斯基比赛中获得大提琴一等奖和金奖后，便开始与各大管弦乐队合作，并在全球许多极负盛名的音乐节上进行独奏和室内乐表演。他是一位引人注目的艺术家，也是一位真正的艺术大师，他具有与生俱来的音乐天赋和与观众建立联系的非凡才能。他被描述为“耀眼的辉煌”（《The Strad》弦乐杂志）和“无与伦比的壮丽”（《旧金山纪事报》），洛杉矶时报在谈到他在 LAPO 的首次亮相时说：“他对乐器的掌握非同凡响。”

纳瑞克·哈克纳扎良 2022/23 乐季的亮点包括与尼古拉·卢甘斯基、尼基塔·鲍里索-格列布斯基和马克西姆·雷萨诺夫的四重奏在阿姆斯特丹音乐厅璀璨夺目的表演，及与巴塞罗那交响乐团和著名指挥家胡安乔·梅纳（Juanjo Mena）的西班牙之旅；在德国多特蒙德音乐厅和英国伦敦卡多根音乐厅与皇家爱乐乐团合作演出。不仅如此，纳瑞克·哈克纳扎良还前往加州巡回演出，在圣地亚哥、萨克拉门托和弗雷斯诺举办音乐会。此外，这一乐季还让纳瑞克获得了维也纳音乐厅的驻场演出机会——他与尼基塔·鲍里索-格列布斯基 (Nikita Boriso-Glebsky) 和乔治·柴泽 (Georgy Tchaidze) 组成了三重奏组，并推出了室内乐订阅。

自 2011 年成名以来，哈克纳扎良开始真正享有了全球的职业生涯，并与巴黎交响乐团、伦敦交响乐团、伦敦爱乐乐团、鹿特丹爱乐乐团、法兰克福广播电台、柏林音乐厅、皇家斯德哥尔摩爱乐乐团、芝加哥交响乐团、洛杉矶爱乐乐团、匹兹堡交响乐团、悉尼交响乐团、首尔爱乐乐团、NHK 交响乐团等交响乐团合作，并与捷杰耶夫、库普曼、阿尔索普、林图、索基耶夫、罗伯逊、霍内克、诺塞达和内托皮尔等指挥进行合作。他还曾与德国科隆西德交响乐团（ WDR ）/萨拉斯特（Saraste）一起巡演西班牙，与爱沙尼亚国家交响乐团/尼米·贾维（Neemi Järvi）一起在美国巡演，与捷克爱乐乐团/贝洛拉维克（Bělohlávek）一起在日本巡演。作为前 BBC 新生代艺术家，他曾与所有 BBC 管弦乐队合作演出，并在 BBC 逍遥音乐节上首次亮相。2017 年，维也纳音乐厅邀请哈克纳扎良作为“伟大的天才”在随后的两个演出季中，定期在那里进行独奏会、室内乐和管弦乐队演出。最著名的是与维也纳交响乐团和 Hrůša 的合作。2017年9月，获亚美尼亚总统谢尔日·萨尔基相（Serzh Sargsyan）授予其“亚美尼亚功勋艺术家”称号。2017 年，他在东南亚巡回演出，在台北、首尔、东京和京都演奏了完整的巴赫大提琴独奏组曲。

作为一位室内乐演奏家，哈克纳扎良不仅活跃于世界顶尖音乐节及知名音乐厅的舞台，更携手多位室内乐合作伙伴展开横跨欧洲的巡演之旅。他与 ZEN 三重奏一起在美国和中国巡回演出，于德意志留声机公司发行了一张唱片，即将到来的演出计划包括在伦敦和巴塞罗那举行的音乐会。2019 年夏天，他在韦尔比耶和莱茵高举办了独奏会并与丹尼尔·特里福诺夫 (Daniil Trifonov) 一起参加音乐节，并在 18/19 乐季在伦敦的威格莫尔音乐厅(Wigmore Hall) 举办了 4 场音乐会。在北美，他会定期举办独奏音乐会，最近几次是在纽约市、芝加哥、旧金山和多伦多。过去的演出季他曾在卡内基音乐厅和乔丹音乐厅（波士顿）进行演出。2020/21乐季，哈克纳扎良与维也纳广播交响乐团进行了首次合作，与巴塞罗那交响乐团在马德里驻场演出，与魏玛国家管弦乐团、芬兰广播交响乐团进行了合作。他还与特里福诺夫（Trifonov）和 Dogadin 一起在德国进行了巡回演出，并与 Lugansky 和 Debargues 等艺术家在各种室内组合中进行演出。他还在欧洲的主要场馆演出过，其中包括阿姆斯特丹音乐厅、威格莫尔、科隆爱乐乐团和马德里礼堂，他与丹尼尔·特里福诺夫一起在美国卡内基音乐厅演出。

在已故 Rostropovich 的指导下，纳瑞克·哈克纳扎良于 2011 年获得了新英格兰音乐学院的艺术家文凭，在那里他师从 Lawrence Lesser。在此之前，他在莫斯科音乐学院与 Alexey Seleznyov 在埃里温 Sayat-Nova 音乐学院与 Zareh Sarkisyan 分别进行过合作。此外，哈克纳扎良还曾获得过 Rostropovich 基金会和 New Names 基金会的奖学金，他的奖项包括 2006 年亚美尼亚 Aram Khachaturian 国际比赛一等奖和 2006 年 Johansen 国际青年弦乐演奏家比赛第一名。作为 2008 年青年音乐会艺术家国际选拔赛的一等奖获得者，哈克纳扎良在华盛顿特区和卡内基音乐厅进行了首次亮相。

Since winning the First Prize and Gold Medal at the XIV International Tchaikovsky Competition at the age of 22, Narek Hakhnazaryan has performed with most major orchestras and in recital and chamber music across the globe at the world’s most prestigious festivals and venues. He has been described as “Dazzlingly Brilliant” (The Strad) and “Nothing short of magnificent” (San Francisco Chronicle), and of his LAPO debut, the Los Angeles Times said “His command of the instrument is extraordinary”.

Narek Hakhnazaryan is awarded the title of “Honored Artist of Armenia” and an honorable “Movses Khorenatsi” medal for “Outstanding Achievements in The Field of Culture” by the president of Armenia.

Hakhnazaryan has been enjoying truly global career playing with orchestras such as the Chicago Symphony, LA Philharmonic, Pittsburgh Symphony, Orchestre de Paris, London Symphony, London Philharmonic, Rotterdam Philharmonic, Frankfurt Radio, Berlin Konzerthaus, Royal Stockholm Philharmonic, Finnish Radio, Helsinki Philharmonic, Barcelona Symphony, Sydney Symphony, Seoul Philharmonic, NHK Symphony orchestras, and with conductors such as Gergiev, Jurowski, Koopman, Alsop, Lintu, Sokhiev, Robertson, Honeck, Noseda, Fisher, Netopil and others. He has toured Spain with the WDR Symphony/Saraste, the US with the Estonian National Symphony Orchestra/Neemi Järvi and Japan with the Czech Philharmonic/Bělohlávek. A former BBC New Generation Artist, he has performed with all the BBC orchestras and made a sensational debut at the BBC Proms. In 2017, the Wiener Konzerthaus invited Hakhnazaryan to be a “Great Talent” and during the two seasons that followed he performed there regularly in recital, chamber music and with orchestras, most notably with the Wiener Symphoniker and Hrůša.

Recently Hakhnazaryan toured southeast Asia, performing the complete Bach cello solo suites in Taipei, Seoul, Tokyo and Kyoto. An eager chamber musician, Hakhnazaryan has performed at most major music festivals worldwide including Verbier, Aspen, Ravinia, Marlboro and in major halls across the world with various chamber partners including Daniil Trifonov, Denis Kozhukhin, Menahem Pressler, Arnold Steinhardt, Igor Lewit, Vadim Repin, Marc Boushkov and others.

Together with the violinist Esther Yoo and pianist Zhang Zuo Hakhnazaryan created the Z.E.N. Trio and has toured across the US, Europe, China and Australia. They released two albums exclusively on Deutsche Grammophon.

In North America Hakhnazaryan performs regularly with orchestras and in recitals, most recently in New York, Chicago, San Francisco and Toronto and in past seasons has performed at Carnegie Hall(New York), Kennedy Center(Washington DC) and Jordan Hall (Boston).

As a curious musician and artist, Hakhnazaryan recently made his debut as a Conductor in Hamburg’s Leizhalle with Neue Philharmonie Hamburg and conducted highly successful production of Gluck’s opera “Orpheus and Eurydice” in Armenia.

Narek Hakhnazaryan recorded soundtracks for several award-winning Motion Pictures, including Emir Kusturica’s “On The Milky Road” and Animated Documentary “Aurora’s Sunrise”.

Mentored by the late Mstislav Rostropovich since the age of 14, Hakhnazaryan later received an Artist Diploma from the New England Conservatory of Music where he studied with Lawrence Lesser and Master’s Degree at Moscow State Conservatory with Alexey Seleznyov. He began his cello lessons at the age of 6 at the Sayat-Nova School of Music in Yerevan with Zareh Sarkisyan.

Hakhnazaryan’s prizes include First Prize in the 2006 Aram Khachaturian International Competition in Armenia and First Prize in the 2006 Johansen International Competition for Young String Players. As First Prize winner in the 2008 Young Concert Artists International Auditions, Hakhnazaryan made his debut in Kennedy Centre (Washington, DC) and at Carnegie Hall (New York) at the age of 19.

Narek Hakhnazaryan plays exclusively on “Larsen Strings”.